TRAVIS DAVIS II

  WORK   SERVICES   ABOUT

WELCOME. I’M TRAVIS,
A BRAND & IDENTITY DESIGNER.

I
WORK WITH BRANDS THAT HAVE A REAL POINT OF VIEW.
IF YOUR BRAND HAS SOMETHING TO SAY,
I WANT TO HELP YOU SAY IT.




TRAEGER GRILLS

INTEGRATED BRAND / CAMPAIGN


SURFACE MAGAZINE

EDITORIAL / VISUAL IDENTITY

MITZY’S BAKEHAUS 

BRAND / VISUAL IDENTITY

MODO STUDIOS

INTEGRATED BRAND / CAMPAIGN

OTRO CHOCOLATES

BRAND IDENTITY / PACKAGING

LUCA CUCINA ITALIANA
BRAND / VISUAL IDENTITY

UNA

BRAND IDENTITY / PRODUCT

ILLUSTRATION & TYPOGRAPHY                    
VARIOUS

PSOCKADELIC
INTEGRATED BRAND / CAMPAIGN
THE WORK I DO



NO ACCOUNT MANAGERS.
NO LAYERS. JUST DESIGN.


ONE DESIGNER TAKING BRAND, PACKAGING, DIGITAL, AND PHYSICAL WORK FROM FIRST SKETCH TO FINAL FILE.







BRAND
The bones. What your brand stands for, before it ever hits a screen or a shelf.

DISCOVERY & STRATEGY
LOGO & VISUAL IDENTITY
BRAND GUIDELINES & SYSTEMS




PACKAGING
Design that survives contact with reality — shipping, shelving, everything in between.

PACKAGING DESIGN & CONTENT STRATEGY
PRODUCTION COORDINATION & PRINT MECHANICALS




DIGITAL
Built to move fast and hold up under scrutiny — every pixel pulling its weight.

WEBSITES & EMAIL CAMPAIGNS
SOCIAL & PAID MEDIA CREATIVE




PHYSICAL
The stuff people hold in their hands. First impressions don't get a second take.

PITCH DECKS & PRINT MATERIALS
TRADE SHOW & RETAIL DISPLAYS

ABOUT ME

TRAVIS DAVIS II

tdii.design@gmail.com
LinkedIn


I'm Travis — a graphic designer from Utah, raised on skateboarding, mountains, and making things from scratch. I learned to see potential in overlooked spaces long before I learned design software. Time in the Bay Area widened the lens; my BFA sharpened it. I work with brands that have a real point of view — action sports, fashion, culture, the spaces in between. If your brand has something to say, I want to help you say it.



EMAIL, INFORMATION
EDUCATION

UTAH STATE UNIVERSITY

BFA in Graphic Design
2019-2022


WEBER STATE UNIVERSITY
Associate of Science
2015-2017




EMPLOYMENT

INDEPENDENT

Brand & Identity Designer
Dec.2025-Present


TRAEGER / MEATER

Creative Specialist II
(Packaging Design Lead)
Aug.2023-Dec.2025


SUNSTROKE MAGAZINE
Editorial Designer (Volunteer)
Jan.2023-Jan.2024


MAGNUM BIKES
Lead Designer
Aug.2022-Aug.2023


THOMAS CAMPBELL FILM, YI-WO
Featured Participant
Oct.2019
CAPABILITIES


BRAND IDENTITY SYSTEMS

Building the full stack — mark, type, color, language, and the standards built to keep
it consistent across every hand it
passes through.


PACKAGING & PRODUCTION
End-to-end ownership of retail packaging — from concept through press-ready files. Domestic and international SKU experience.

TYPOGRAPHY & LETTERING
Type-led thinking across display, wordmark, and system work. Comfortable at the intersection of editorial and street.


ART DIRECTING & CONCEPTING
Translating brand strategy into visual language — mood, aesthetic direction, campaign concepting, and creative oversight.


BRAND STANDARDS & GUIDELINES
Documentation that designers actually use — clear, thorough, and built to scale with
the brand.




SPECIALIZATIONS / AESTHETIC FLUENCY
Streetwear & subculture aesthetics, western Americana, DIY & craft-influenced design, skate & action sports visual culture.


INFLUENCES

LENS

Skateboarding
Not a hobby — a way of reading space.
Taught me to find potential in things
most people walk past.


GEOGRAPHY
The West
Wide open, worn in, and typographically
rich in ways people overlook. It shows
up in everything.


CITY
San Francisco
Fog, hills, color, light — like the city
stumbled into beauty without trying.


ALBUM
Animals by Pink Floyd
Bleak, political, and precise underneath
a clean exterior. Concept-driven work
that doesn't announce itself.


PRINTMAKER

M.C. Escher
Systems and illusion. Finding the impossible
inside tight constraints — and making it
look inevitable.


SURREALIST
Salvador Dalí
Technical mastery in service of a completely
singular vision. Proof that discipline and strangeness aren't opposites.


BOOK
11/22/63 by Stephen King
A reminder that the best storytelling is
about time, consequence, and the
weight of small decisions.
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